All work

Saul Tatz

tattoo artist

A client describes the tattoo, picks a date from Saul's open days, and gets a link that shows where the request stands, from the quote to aftercare.

Fourteen seconds on what I built here. No sound.

The headache

Saul tattoos black and grey work by appointment. A booking by DM comes in pieces: the idea, the placement, the size and the reference photos over a string of messages, and the client has no way to see where their request stands. The work itself is the pitch, and it lived only on Instagram.

  • In the way: A booking by DM arrives in pieces.

    What I built: One request in four steps: the idea and the style, the placement, a date from Saul's open days, and how to reach the client, with up to five reference photos.

  • In the way: A client cannot see where their request stands.

    What I built: Every request gets its own link that shows the next step: the quote, the Zelle deposit, then the studio address and the consent form once the date is booked.

  • In the way: Consent and health questions take time in the chair.

    What I built: The consent form and health questions are signed on the client's phone before the session, and walk-ins sign from a QR code at the shop.

  • In the way: Saul runs everything from his phone, between sessions.

    What I built: A private app on his phone: new requests, a calendar with the open spots, a ready-made text to each client, and a feed that puts his bookings in his iPhone calendar.

Saul Tatz website, full page
A still of the home page, taken from the live site. This is the desktop layout, scaled down to fit your screen. The live one is at saultatz.com.

A booking site for a black and grey tattoo artist in Southern California. His own clips and photos are the whole look of it, the request form asks for everything he needs to quote, and each client follows their booking on one link, from the first message to the aftercare.

Up close

Black and grey, set bigThe headline stands at the size of flash lettering on a wall, with one soft serif line under it and a clip from the chair beside it.
The workRecent pieces and clips straight after the opening, with the full portfolio, filtered by style, one tap away.

The look, and why

Black and grey only, because the work is: ink at #0a0a0a and a bone paper, #f2f0eb, with no colour anywhere that could compete with a tattoo. Headlines are Big Shoulders Display at its heaviest, the way flash lettering stands up on a wall, with Instrument Serif italic for the odd soft word, Hanken Grotesk for reading, and small bracketed labels in JetBrains Mono.

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