All work

The Tint Vault

ceramic tint

Customers text to book, compare packages, and see the work before they come in.

Fourteen seconds on what I built here. No sound.

The headache

Tint is hard to picture before it is on the car and easy to get wrong. Someone choosing between shops wants to know what it costs for their car and whether this shop knows what it is doing, and would rather ask by text than fill in a form.

  • In the way: A contact form is one more inbox for a shop that already runs on its phone.

    What I built: Every booking button opens a text to the shop's own number.

  • In the way: The price depends on which glass is being done, so one flat price list confuses people.

    What I built: Packages are priced by panel, so a customer can match the job to their own car.

  • In the way: A new customer has no idea what happens after they hand over the keys.

    What I built: A step by step section walks through how a job runs, from the first text to the warranty.

  • In the way: Shooting a separate gallery for the website is a chore nobody keeps up.

    What I built: The gallery uses the photos the shop already posts on Instagram.

The Tint Vault website, full page
A still of the home page, taken from the live site. This is the desktop layout, scaled down to fit your screen. The live one is at thetintvault.co.

A tint shop sells a job that is hard to picture and easy to get wrong, so the site spends its length proving competence: what the lanes are, how a job actually runs, what it costs by panel, and why the film lasts. Booking is by text, because that is how their customers already talk to them.

Up close

How a job runsFour short columns under one line. It reads in a few seconds and answers the question people are slow to ask.
Pick what fits the carThe packages stand side by side by glass area, each with what is included listed under it, so comparing them takes one look.

The look, and why

The ground is a warm near-black, #0b0a08 rather than a neutral one, because the product is film on glass and most of the photography is shot at night under sodium light. On a cool grey every one of those frames went blue. Type is Inter Tight, condensed enough to set the headline large without wrapping on a phone. The cream at #efe4cc is the only warm note in the palette, and it does a gold's job without being one.

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